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Qwetch – Pub Lac Bimont

ALL WORK, LIFESTYLE

Sézane – Barcelone 22

ALL WORK, FASHION, Portfolio

Jonak – Still Life

ALL WORK, FASHION

OCTOBRE – Director’s cut

ALL WORK, FASHION, Portfolio

Sézane – Nice Co Sum 22

ALL WORK, FASHION, Portfolio

Sézane – Co Summer 22

ALL WORK, FASHION, Portfolio

Tudor – incentive 2022

ALL WORK, EVENT

Sud Express – Film Collection 2022

ALL WORK, FASHION

Koba – Skincare

ALL WORK, BEAUTY

Quinque x Zubi

ALL WORK, BEAUTY, Portfolio

La couronne

ALL WORK, LIFESTYLE

Jonak

ALL WORK, FASHION, Portfolio

Pagination des publications

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Summer, somewhere in the South of France. A few m

Summer, somewhere in the South of France.

A few moments on and off set, shooting the latest campaign for @maisonstellaetsuzie

Leucate, France.

Creative Direction — @evacst_
Director — @anthony.slaterfilms
Photography — @mat_hemon
Model — @lalalainara
Makeup Artist — @marionbodinier
Production Manager — @justine.bssrn
Assistant Director — @estublierproduction
Film Editor - Allan XA
Content Creator — @chloeaze_
Content Creator _ @gallery_of_anastasia
Picture Car Rental — @jose.mustang66

BACK TO FILM 🎥 C’est la rentrée, nouveau joujou

BACK TO FILM 🎥

C’est la rentrée, nouveau joujou pour filmer.

Une Bolex Paillard H16 Reflex REX 4, une caméra 16 mm mécanique des années 60, entièrement à ressort. Pas de batterie, pas d’écran, pas de carte mémoire : on remonte, on charge la pellicule et on tourne.

Petit détail que j’adore : cette caméra a été conçue pour être utilisée à la main, et son mécanisme permet de filmer quelques dizaines de secondes après chaque remontage. Autant dire qu’en 16 mm, chaque plan compte.

Back to work, new toy for shooting film.

A Bolex Paillard H16 Reflex REX 4, a mechanical 16mm camera from the 1960s, completely spring-wound. No batteries, no screen, no memory cards: wind it up, load the film, and shoot.

One little detail I love: this camera was designed to be handheld, and its spring mechanism lets you shoot for a few dozen seconds with each wind. Which basically means that with 16mm, every shot counts.

Can’t wait to take her out for a spin. 🎞️

@antiqphotogallery

#bolex #bolexcamera #bolexh16 #filmmakerlife #filmaker

Last one for @asphalte.men / @asphalte.women I l

Last one for @asphalte.men / @asphalte.women

I love static shots.
They inherit the composition of photography.
They embrace the passage of time through cinema.

For a few seconds, everything stands still… until life enters the frame.

It’s the kind of filmmaking that resonates with me the most.

Shot : @estublierproduction
@anthony.slaterfilms

Sound design : @allan.xa

D.A : @tomtbn

Team : @samsamiche
@louiselep
@albanteissier
@fabiencourmont
@pb_tn_
@priscakwaning
@karen_faurie
@alxvndr
@tristan_pereira
@mathilderegnault

There are some shoots that remind you why you fell

There are some shoots that remind you why you fell in love with cinema in the first place.

Ever since I was a kid, I’ve been fascinated by filmmaking.

Out of all the projects I’ve had the chance to work on, this is probably the one that made me feel closest to that dream.

For two days, we had the opportunity to join the @louisvuitton team for the Women’s Spring-Summer 2026 (WSS26) production with @jennifer.connelly

More than 150 people came together to create just a few minutes of film.

Watching so many talented people, each mastering their own craft while working toward the same vision, was incredibly inspiring.

A huge thank you to @numbered.production , JN Production, and the entire Louis Vuitton team for their trust and for making us part of this incredible adventure.

And thank you to everyone who followed this month of sharing.

I can’t wait to tell you the next stories.

See you Slater.

🇫🇷

Il y a des tournages qui te rappellent pourquoi tu es tombé amoureux du cinéma.

Depuis tout petit, je suis fasciné par cet art

Parmi tous les projets auxquels j’ai eu la chance de participer, celui-ci est probablement celui qui m’a donné le plus l’impression de toucher ce rêve du doigt.

Pendant deux jours, nous avons eu la chance de rejoindre les équipes de Louis Vuitton pour la campagne Women’s Spring-Summer 2026 (WSS26) avec Jennifer Connelly.

Plus de 150 personnes étaient réunies pour donner vie à seulement quelques minutes de film.

Voir autant de talents, chacun expert dans son domaine, travailler ensemble autour d’une même vision était vraiment inspirant.

Un immense merci à @numbered.production , @jnproductionglobal et à toute l’équipe Louis Vuitton pour leur confiance et de nous avoir permis de vivre cette aventure.

Et merci à tous ceux qui ont suivi ce mois de partage.

J’ai déjà hâte de vous raconter les prochaines histoires.

See you Slater.

#junechallenge 24 Four days in Lagos with @maiso

#junechallenge 23 What’s incredible about this pl

#junechallenge 22 They were the first people to t

#junechallenge 22

They were the first people to trust me and give me a chance.

I couldn’t finish this month of posts without talking about these adventure creators.

I’ve been lucky enough to be part of this team for the past 15 years, starting out as an intern.

I learned everything with them.

Together with @31.22_productions for Désertours, we’ve filmed in extreme conditions across Morocco, Argentina, Cape Verde, and Senegal.

Always surrounded by incredible landscapes.

And if we added up all the shooting days we’ve shared together, it would easily represent more than a full year.

So I simply wanted to use this post to say thank you.

Thank you for giving me my chance.

Thank you Désertours.

Thank you 3122.

See you Slater.

#junechallenge 21 “You’re free to do whatever you

#junechallenge 20 Sometimes we get to work with y

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