#junechallenge 18 What’s better than growing alon #junechallenge 18

What’s better than growing alongside a client over the years?

We’ve been working with @qwetch.fr for six years now.

And together, we’ve created more than a hundred campaigns.

I’ve even had the chance to see the team evolve over time… but we’re still here.

They trust our ideas, and we’ve always loved the positive energy they’ve brought since day one.

@jenna.mzn , the creative director, has been with us since the very first campaign.

What I love about this kind of relationship is having the time to question ourselves, try new things, and grow alongside the brand.

And honestly, one minute wouldn’t even be enough to show everything we’ve created together.

See you Slater.
Last one For @yse_paris Mysterious, magical, gra Last one For @yse_paris 

Mysterious, magical, grand, minimal…

Sometimes, creative directors (@floriane.mld ) simply share a few powerful words to communicate their vision for a film.

For this campaign with @yse_paris , we drew inspiration from references such as The Princess and the Pea, The Tale of the Sleepless Night, and the twelve strokes of midnight.

The challenge is to create a strong universe while staying true to the brand’s identity.

Even the choice of music played an important role in supporting the story.

And by the way, this is the first time I’m sharing these images here.

See you Slater.
#junechallenge 17 Mysterious, magical, grand, mi #junechallenge 17 

Mysterious, magical, grand, minimal…

Sometimes, creative directors (@floriane.mld ) simply share a few powerful words to communicate their vision for a film.

For this campaign with @yse_paris , we drew inspiration from references such as The Princess and the Pea, The Tale of the Sleepless Night, and the twelve strokes of midnight.

The challenge is to create a strong universe while staying true to the brand’s identity.

Even the choice of music played an important role in supporting the story.

And by the way, this is the first time I’m sharing these images here.

If you’d like to see the original version, I’m sharing a carousel today with the actual music used in the campaign.

See you Slater.
#junechallenge 16 Sound design plays a huge role #junechallenge 16

Sound design plays a huge role in our films.

To us, it’s fully part of the directing process.

All those little sounds added and refined in post-production give even more impact to the images.

For this collaboration with @bonsoirs_home , we shot everything at home.

The brand wanted something abstract, with strong and artistic compositions.

And honestly, we had so much fun creating these images.

These kinds of projects allow us to step outside our usual habits and explore different ways of telling a story.

See you Slater.
#junechallenge 15 It was such a pleasure to be b #junechallenge 15 

It was such a pleasure to be back in Saint-Tropez for a shoot.

This is where I had my very first student job, and I worked there for more than eight years.

With @balzacparis , the idea was to build the campaign around postcard memories and summer feelings.

So we wrote several scenes that we’ve all experienced at some point during a vacation.

The goal was to create something that felt like a memory film while still remaining a fashion campaign.

Super 8 often brings that nostalgic feeling I love so much.

These are honest images, and they always add something special in the edit.

And with this Reel, we’re already halfway through the month.

Thank you all for your comments and interactions since the beginning of the challenge.

See you Slater.
#junechallenge 14 When filming a fashion show, th #junechallenge 14

When filming a fashion show, there’s no room for mistakes.

It almost feels like live television, with that rush of adrenaline that makes minutes feel like seconds.

On this shoot for @devred , organized by @jrmsa , one of our cameras was being broadcast live on a giant screen.

To make it happen, we spent an entire afternoon rehearsing.

And we still have a pretty funny story from that day.

As night fell, the mosquitoes showed up.

The problem was… we absolutely couldn’t move, otherwise the live feed would be ruined.

Let’s just say that @estublierproduction and I learned a lot about self-control that evening.

But in the end, we still have great memories from this project.

See you Slater.
#junechallenge 13 When shooting lingerie campaign #junechallenge 13

When shooting lingerie campaigns, one of the biggest challenges is that we often work in very small spaces.

And yet, we share the set with a lot of people.

The photographer, the client, the makeup artist, the lighting assistants…

So you learn to stay discreet and make sure everyone has the space and time to do their job properly.

On this shoot with @chichicastelnangoparis , we spent three days in Corsica for their latest campaign.

These are the kinds of shoots where we build our images using everything around us.

The locations, the details, the light…
Everything becomes a source of inspiration.

See you Slater.
#junechallenge 12 Two days in Morocco for our fir #junechallenge 12

Two days in Morocco for our first collaboration with @asphalte.men .

Together with @tomtbn , the brand’s creative director, and the entire team, we worked on this film long before the shoot.

The idea was to highlight the textures of their latest T-shirt.

We relied on the voice-over script and used split screens to combine emotional imagery with more product-focused shots.

I love these kinds of projects, where every creative choice is made to serve the brand’s story.

I’ll let you discover the final campaign film here.

See you Slater.
#junechallenge 11 This Reel reached several thous #junechallenge 11

This Reel reached several thousand views on Jonak’s account.

And it reminds me that sometimes, the simplest ideas are the most memorable.

Thibault and I spend our days exchanging ideas.

Sometimes they’re terrible.

And sometimes, something just clicks.

We’re huge fans of long takes.

During these two days in Paris with @lucy.rosiek and @hunter.lison , we had so much fun creating these kinds of shots that require rehearsals.

Almost like a choreography with the models.

It’s probably one of our favorite things to do.

Maybe because it brings us a little closer to cinema and fiction.

And also because I’ve always loved choreographed movement.

See you Slater.
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