BACK TO FILM 🎥 C’est la rentrée, nouveau joujou BACK TO FILM 🎥 

C’est la rentrée, nouveau joujou pour filmer.

Une Bolex Paillard H16 Reflex REX 4, une caméra 16 mm mécanique des années 60, entièrement à ressort. Pas de batterie, pas d’écran, pas de carte mémoire : on remonte, on charge la pellicule et on tourne.

Petit détail que j’adore : cette caméra a été conçue pour être utilisée à la main, et son mécanisme permet de filmer quelques dizaines de secondes après chaque remontage. Autant dire qu’en 16 mm, chaque plan compte.

Back to work, new toy for shooting film.

A Bolex Paillard H16 Reflex REX 4, a mechanical 16mm camera from the 1960s, completely spring-wound. No batteries, no screen, no memory cards: wind it up, load the film, and shoot.

One little detail I love: this camera was designed to be handheld, and its spring mechanism lets you shoot for a few dozen seconds with each wind. Which basically means that with 16mm, every shot counts.

Can’t wait to take her out for a spin. 🎞️

@antiqphotogallery 

#bolex #bolexcamera  #bolexh16 #filmmakerlife #filmaker
Last one for @asphalte.men / @asphalte.women I l Last one for @asphalte.men / @asphalte.women 

I love static shots.
They inherit the composition of photography.
They embrace the passage of time through cinema.

For a few seconds, everything stands still… until life enters the frame.

It’s the kind of filmmaking that resonates with me the most.

Shot : @estublierproduction 
@anthony.slaterfilms 

Sound design : @allan.xa 

D.A : @tomtbn 

Team : @samsamiche 
@louiselep 
@albanteissier 
@fabiencourmont 
@pb_tn_ 
@priscakwaning 
@karen_faurie 
@alxvndr 
@tristan_pereira 
@mathilderegnault
— What if I stand in profile like this? Does it wo — What if I stand in profile like this? Does it work?
— Yeah, it’s beautiful.

I’ll call them.
There are some shoots that remind you why you fell There are some shoots that remind you why you fell in love with cinema in the first place.

Ever since I was a kid, I’ve been fascinated by filmmaking.

Out of all the projects I’ve had the chance to work on, this is probably the one that made me feel closest to that dream.

For two days, we had the opportunity to join the @louisvuitton team for the Women’s Spring-Summer 2026 (WSS26) production with @jennifer.connelly 

More than 150 people came together to create just a few minutes of film.

Watching so many talented people, each mastering their own craft while working toward the same vision, was incredibly inspiring.

A huge thank you to @numbered.production , JN Production, and the entire Louis Vuitton team for their trust and for making us part of this incredible adventure.

And thank you to everyone who followed this month of sharing.

I can’t wait to tell you the next stories.

See you Slater.

🇫🇷

Il y a des tournages qui te rappellent pourquoi tu es tombé amoureux du cinéma.

Depuis tout petit, je suis fasciné par cet art

Parmi tous les projets auxquels j’ai eu la chance de participer, celui-ci est probablement celui qui m’a donné le plus l’impression de toucher ce rêve du doigt.

Pendant deux jours, nous avons eu la chance de rejoindre les équipes de Louis Vuitton pour la campagne Women’s Spring-Summer 2026 (WSS26) avec Jennifer Connelly.

Plus de 150 personnes étaient réunies pour donner vie à seulement quelques minutes de film.

Voir autant de talents, chacun expert dans son domaine, travailler ensemble autour d’une même vision était vraiment inspirant.

Un immense merci à @numbered.production , @jnproductionglobal et à toute l’équipe Louis Vuitton pour leur confiance et de nous avoir permis de vivre cette aventure.

Et merci à tous ceux qui ont suivi ce mois de partage.

J’ai déjà hâte de vous raconter les prochaines histoires.

See you Slater.
#junechallenge 30 30 videos in 30 days → A few nu #junechallenge 30

30 videos in 30 days → A few numbers behind this challenge.

Question → Before sharing the numbers from this rather unusual month, I had a question:

Which video was your favorite?

They’re all numbered from 1 to 30, so you can simply leave the number in the comments.

I’m curious to know who followed this whole crazy adventure until the end 😄

2h30 → The average amount of time I spent each day on this challenge.

Finding the footage.
Editing.
Writing the voice-overs.
Recording them.
Searching for music.
Tagging everyone.
Posting.
Replying to comments.

I didn’t expect it to take so much time.

(Respect to all influencers.)

+146 → New people who joined the adventure this month.

Welcome ❤️

100,000 → The number of views generated this month.

I don’t really know what that means,
but for once I have numbers…

so I thought I’d share them.

240 → Comments received.

This is probably what impacted me the most.

Reading your feedback, memories and messages gave me the motivation to keep going until the end.

30 → The number of likes on the video that performed the worst…

2 → The number of times I wanted to quit.

I wasn’t sure I wanted to keep talking every single day.

Or flood Instagram with my face.

15 → The number of years of memories condensed into this month of posts.

Because in the end, this challenge wasn’t just “30 videos in 30 days”.

It was 15 years of work and memories summarized in one month.

Conclusion → First month talking this much on social media.

I loved sharing all these stories.

I don’t think posting every day is my ideal way of communicating, but I’m proud I made it to the end.

Thank you for all your support throughout this month.

See you later 🤘
#junechallenge 26 We asked the models to do a tho #junechallenge 26

We asked the models to do a thousand different things for this film.

For this campaign with @cala1789 , the goal was to show that you can dress elegantly while still moving freely.

So for two days, we had them running, jumping and performing all kinds of actions… almost like we were shooting a James Bond movie.

What we love about projects like this is that we almost forget we’re working.

We’re focused on ideas, shots and details…

And suddenly, the day is already over.

Then it’s time to bring everything into post-production and try to preserve all that energy in the edit.

See you Slater.
#junechallenge 25 I never thought I’d be able to #junechallenge 25

I never thought I’d be able to hold my breath for four minutes.

And yet, that’s exactly what Thibault and I managed to do after just a few hours of training with Morgan Bourc’his.

For several years now, we’ve had the chance to cover this event organized by Tudor and Two Sisters.

For four days, Morgan, a three-time world champion freediver, introduces journalists and influencers from all over the world to his discipline.

And we follow them everywhere.

In the air, underwater, and on land.

One day in Greece, we even got our own private lesson.

And according to Morgan, four minutes of apnea was actually pretty normal after this kind of training.

It remains one of our favorite shooting memories.

See you Slater.
#junechallenge 24 Four days in Lagos with @maiso #junechallenge 24 

Four days in Lagos with @maisonstellaetsuzie 

For this campaign, we used our early 2000s camera, as if Mariana was filming her own holidays in Portugal.

The idea was to integrate these shots into the edit to enrich the storytelling and bring a more spontaneous feeling.

And in the end, what we love about longer shoots…

is having the time to experience more than just work with the team.

@maxminguez , the founder of the brand, is a very genuine person.

We share a lot in common, and that often leads to some really meaningful moments on set.

We realize that our creativity is directly connected to the atmosphere on a shoot.

Not just the idea or the brief…

but also the energy surrounding us.

That’s why these moments matter so much to us.

See you Slater.
#junechallenge 23 What’s incredible about this pl #junechallenge 23

What’s incredible about this place, @hotellescabanettes , is that it feels frozen in the 1970s.

With @saltoptics , the eyewear brand, we had a lot of fun using the location for this campaign.

We wanted to include a few scenes that feel like moments from a movie.

We’ve realized that cinema often comes back in the way we work.

Not because we try to “make cinema”…

but rather because it naturally guides many of our creative decisions without us even thinking about it.

So here, we simply let the place lead the way.

We added a few film dialogues…

like fragments of stories settling into this timeless setting.

And in the end, when a place has so much personality…

you realize it doesn’t need much to exist on screen.

See you Slater.
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